Enjoying Kecak and Sunset at Uluwatu

Tuesday, July 28, 2009


Uluwatu is located on the southern tip of Bali island. About 1 hour drive from Kuta. Here there is a temple which is very important especially for the Hindu community in Bali. Believe that a rise above the reef, directly dealing with the Indian Ocean, providing spectacular views of amazing. If not yet friendly atmosphere enjoyed at dusk, when the sun is already running the contest. Landscape akan more enthralling, as red golden sun that is ready to bounce down to the Indian Ocean, providing a combination of color and spectacular sunset (Sunset) no both of them.

This place is usually much dikujungi in the afternoon between the hours of 5 to 7 nights. Why? Because in the afternoon you will disuguhi:

- Spectacular sunset
- Kecak dance
- Finished watching the Kecak dance, you'll usually be transmitted to enjoy various cuisine at sea Jimbaran Beach.


Information:
- A ticket to watch the Kecak current Rp. 50,000 / person
- Be careful with that many monkeys roam around the temple. Should not use: glasses, earrings, hats, necklaces and other such easily seized by the guard.

Oh yes, this is a little story about the Kecak dance, and Pura Uluwatu.


Kecak dance (any posts from here)

kecak1
kecak1
Kecak (pronunciation: / 'ke.tʃak /, roughly "KEH-chahk," an alternative spelling: Ketjak, Ketjack, and axilla), is a performing arts khasBali created in 1930-an and played mainly by men. This be dance by many (tens or more) male dancers who form a circle and sit down with a rhythm called "smack" and the second arm, describes the story of Ramayana when Rama the line to help primates against Rahwana. However, Kecak ritualsanghyang come from, the tradition of dance akan penarinya are not aware of the condition [1], making a communication with God or the spirit of the ancestors and the hope and expectation, to the community.

The dancers sit around the cloth is put on the boxes such as the chess board around their waist. Besides the dancers, the dancers have also the other portrayal of figures such as the Ramayana, Rama, Shinta, Rahwana, Hanoman and Sugriwa.

Kecak dance songs taken from the ritual dances sanghyang. In addition, the tool does not use music. Only used kincringan charged on foot dancers portray the figures Ramayana.

Around 1930 an Wayan Limbak working with German painter Walter Spies to create dance Kecak Sanghyang based on tradition and the story of the Ramayana. Wayan Limbak popularize dance this time around the world with the troupe of dancers Bali.

uluwatu

Pura Uluwatu Luhur (any posts taken from here)


Uluwatu

Luhur Pura Uluwatu is one of six that are ostensibly Sad Kahyangan Jagat. This magnificent temple standing on the southwestern tip of Bali island on the reef anjungan a steep and high and stick to the sea.

Luhur Pura Uluwatu is one of six that are ostensibly Sad Kahyangan Jagat. This magnificent temple standing on the southwestern tip of Bali island on the reef anjungan a steep and high and stick to the sea.

This temple is located in the area Pecatu Village, Kuta District, Badung - from Denpasar to south about 31 km.

Pura Uluwatu is located at a height of 97 meters from the sea surface. In front of the temple there is a small forest called kekeran base, functions as a buffer temple sanctity.

Pura Uluwatu temple has some pesanakan, the temple is closely related with the main temple. Pura Pura pesanakan that the Bajurit, Pererepan Pura, Pura fungus, Pura Dalem Selonding and Pura Dalem Pangleburan. Each temple has a close connection with Pura Uluwatu, especially in the day-to-day piodalan it. Piodalan at Pura Uluwatu, Pura Bajurit, Pura Pura Pererepan and mushroom falls on Tuesday Kliwon Wuku Medangsia every 210 days. Manifestation of the Lord be glorified in the Pura Uluwatu is god Rudra.

How the history of this temple?

To be able to jabaan on the temple, we must climb stair. In the temple there is jabaan building sedahan clamp, bale kulkul, murda bale and bale sakenem. Jaba's jabaan toward us through the temple intermittent bird-shaped wings that curve. To reach the viscera temple, we pass the temple brackets dwarapala who shaped the statue of Ganesha. In the main temple there is a mandala prasada and palinggih form are Overlapping Three, palinggih header, piasan chess pandaka. On the left of jabaan Luhur Uluwatu Pura Pura Dalem there Jurit (Bejurit) there are, among other prasada, where moksanya Danghyang Dwijendra side by side with monuments such as the two boats that used to come to sail during the island of Bali.

Other buildings in the Pura Dalem Jurit is Gedong two overlapping, paibon, sedahan clamp and bale asta RSI. Around the location of Pura Uluwatu Luhur also inhabited monkey

History Luhur Uluwatu

In some sources mentioned, around 1489 BC came to the island of Bali a purohita, ecclesiastic and writer named Danghyang Dwijendra. Danghyang Dwijendra a pastor is a Hindu, born in Kediri, East Java.

Danghyang Dwijendra at the time walaka called Danghyang Nirartha. He married a daughter of Daha, East Java. There he also act in-and diksa by law. Danghyang Nirartha was bhiseka kawikon with the name Danghyang Dwijendra.

After the diksa, Danghyang Dwijendra given the task of implementing dharmayatra as one of the requirements kawikon. Dharmayatra this should be implemented on the island of Bali, with a very heavy task of managing the life of the law and religious tradition, especially on the island of Bali. When it is necessary dharmayatra can be forwarded to the Sasak and Sumbawa Island.

Danghyang Dwijendra came to Bali Island, first set foot on the southwestern fringe of the beach area Jembrana for a moment of rest before traveling dharmayatra. This is in place Danghyang Dwijendra leave pemutik (there is also mention pengutik) with rod (core) wood shelf. Pati wood shelf life, and it turns out to be fertile ground to grow trees shelf. Until now leaves used as a wood shelf banten completeness in Bali. As a warning, and reverence for him, dibangunlah a temple which is named Purancak.

After a dharmayatra to Sasak and Sumbawa Island, Danghyang Dwijendra the southwest end of the southern island of Bali, on the arid region, full of stones called the bebukitan.

After some time living there, he felt Hyang get a call from the Creator to be back soon amoring acintia Parama moksha. This is the place in Ida Pedanda Sakti Wawu remind Rauh (icang eling) with Samaya (promise) to return him to his home. That is where this event called Cangeling and slowly become Cengiling until now.

Because of that, Pedanda Sakti Wawu Ida Rauh ngulati (find) a place deemed safe and appropriate to do Parama moksha. By because they do not qualify, he moved again to another location. In this place, and then built a temple called the Temple fungus. The name is derived from the word ngulati. Temple is located in the Village Pecatu.

While running to get the new location that is considered eligible for Parama moksha, Pedanda Sakti Wawu Ida Rauh very sad and crying in batinnya. Why? Because he was not willing to leave this world sekala because swadharmanya not thoroughly enjoyed, the life up in the Hindu religion Sasak and Sumbawa. Where he mengangis this, and established a temple called the Temple Ngis (origin of the word mourning). Ngis this temple is located in the East Village Banjar Adat Pecatu.

Ida Pedanda Sakti Wawu Rauh not also find places that are considered appropriate for Parama moksha. He then arrived at a place full of stones. He was only alone. In this place, and established a temple which is named Pura Batu Diyi. Also in this place Danghyang Dwijendra feel less safe for Parama moksha. Travel with a quite tiring holding hunger and thirst, he eventually arrived in the area that always gets bebukitan sun blazing. Memayungi for themselves, he sebidang take a leaf beetle and trying to get drinking water source. After circling not find the source of drinking water, eventually Danghyang Dwijendra stick tongkatnya. So come out amertha water. Ago in this place was established a temple called Pura Payung the source of water used means tirtha until now.

Ida Pedanda Sakti Wawu Rauh then go again to another location, to entertain themselves before conducting seconds to return home. Ago in this place was established a temple called Pura Selonding which is located in Banjar Kangin Desa Adat Pecatu. After consoling himself satisfied, Danghyang Dwijendra feel tired. So he find a place to rest. Saking lelahnya-up until he was quiet (bed). Ago in this place was established a temple called the Temple Parerepan (parerepan means pasirepan, lodging place) located in the Village Pecatu.

Approaching the final seconds to Parama moksha, Danghyang Dwijendra cleanse themselves and mulat sarira first. In this place now stand up to a temple called Pura Pangleburan located in Banjar Adat Pecatu Kauh Village. After the cleanse itself, to continue his journey to the location of the tip of the southwestern island of Bali. This place is made up of rocks in cliffs. When observed from below the sea surface, visible bertindih each other, forming the top perch in the rocks in the cliffs, with a height of between 50-100 meters from the sea surface. With so-called Uluwatu. Ulu Watu and the means means stone.

Before Danghyang Dwijendra Parama moksha, he called the boat skipper who took him from the island of Sumbawa to Bali. Skipper of the boat named Ki Pacek Nambangan boat. Sang Pandita resort in order to bring the boat skipper and tongkatnya clothes to his wife in the fourth Pasraman in Griya Mas Sakti Banjar Pule, Mas village, Ubud, Gianyar. Apparel is a green silk robe and a stick of wood young. Ki Pacek Nambangan After leaving the boat Pasraman Danghyang Dwijendra in Mas, Pedanda Sakti Wawu Ida Rauh immediately towards a large stone on the east bank of stone-stone former Royal temple heritage of Sri Wira Dalem Kesari. On a stone that, Pedanda Sakti Wawu Ida Rauh beryoga mengranasika, like loose kris saking urangka, lost without the former, amoring acintia Parama moksha.

Thus, since Danghyang Dwijendra also called the Pedanda Sakti Wawu Ida Rauh Parama moksha or Ngaluhur called Uluwatu, this temple is called Luhur Uluwatu.

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